Halmi, Dr Nicholas
Job Title: University Lecturer in Romantic Literature and Tutorial Fellow
Period/ Subject: Romantics/18th Century/literary history and theory
Email address: email@example.com
- Enlightenment and Romantic literature (esp. poetry) and philosophy
- Comparative literature (British, German, French, Italian)
- Classical reception
- Enlightenment and Romantic visual culture
- Literary history and theory (esp. genre theory)
- Anglo-Italian literary and cultural relations (esp. Byron)
My research is concerned with British and Continental (specifically German, French, and Italian) literature, philosophy, and visual arts of the 'long eighteenth century', particularly in their responses to the challenges and discontents of modernity and in their relation to the historical past. Recently I have been writing about the aestheticization of the past in poetry, painting, and architecture of the long eighteenth century (e.g., in representations of imaginary ruins), as well as on the relation of the Romantics’ self-consciously new literary forms to traditional genres and genre theory (e.g., Byron's ironization of epic in Don Juan). A provisional synthesis of this research was published in the journal MLQ in September 2013, and a monograph, History's Form, is contracted with OUP. I shall also be writing more about Byron's poetry in the near future.
By way of explaining what intellectual purposes the Romantic theorization of the symbol, which has caused much contention in critical theory since the 1960s, served in the Romantic period itself, my book The Genealogy of the Romantic Symbol analysed an historically signficant attempt to overcome, through means bequeathed by the Enlightenment itself, a profound dissatisfaction with the dualisms of Enlightenment epistemology, semiotics, aesthetics, and natural science. The book's own genealogy is recounted in the article 'Telling Stories about Romantic Theory', and its argument is summarized in my discussion with Robert Harrison in his radio programme Entitled Opinions (linked below).
I have also done a good deal of scholarly editing, particularly of Coleridge, and am an advisory editor of Oxford University Press’s Oxford Scholarly Editions Online project and six-volume edition of The Letters of William Godwin (gen. ed. Pamela Clemit). My Norton Critical Edition of Wordsworth contains a generous selection of the poetry and critical prose, including a newly edited and annotated text of the 13-book Prelude and—for the first time—en face texts of The Ruined Cottage and book 1 of The Excursion.
I am an Associated Academic Staff member of the History of Art Department, and am involved in the Oxford Comparative Criticism and Translation Group.
Undergraduate: Literature of 1910– for Prelims and 1760–1830 for FHS, various special authors and topics (e.g., Milton, Byron, Yeats)
Graduate: Co-convenor, M.St. 1780–1900 (in 2009–10), 1660–1830 (in 2010–11), 1700–1830 (in 2013–14); B-course on textual studies; various C-course options (e.g., Romantic classicism and Enlightenment critical categories)
I am happy to consider requests to supervise graduate work in eighteenth-century and Romantic literature, connections between Romantic and twentieth-century literature, comparative literature, the reception of classical antiquity, the history of literary theory and criticism, and related areas.
Recent and Forthcoming Publications:
Editor, Wordsworth's Poetry and Prose (Norton Critical Edition, 2013)
Co-editor, Inventions of the Imagination: Romanticism and Beyond (Seattle: Univ. of Washington Press, 2011)
The Genealogy of the Romantic Symbol (OUP, 2007)
Editor, Fearful Symmetry: A Study of William Blake, vol. 14 of the Collected Writings of Northrop Frye (Univ. of Toronto Press, 2004)
Co-editor, Coleridge's Poetry and Prose (Norton Critical Edition, 2003)
Textual editor, Opus Maximum, vol. 15 of The Collected Works of Samuel Taylor Coleridge (Princeton University Press, 2002)
Chapters and articles (since 2002):
'The Theorization of Style', in Stefanie Fricke, Felicitas Meinert, and Katharina Pink (eds.), Romanticism and Knowledge (Trier: WVT, forthcoming 2015)
'The Function of Form in German Romantic Architecture', European Romantic Review (forthcoming 2014)
'The Greco-Roman Revival', in David Duff (ed.), The Oxford Handbook of British Romanticism (forthcoming 2014)
'Symbolism, Imagism, and Hermeneutic Anxiety', Connotations: A Journal for Critical Debate, 23.1 (2013/14), 127–39 [on Ezra Pound's concept of the Image and its relation to the Romantic conept of the symbol]
'Romanticism, the Temporalization of History, and the Historicization of Form', Modern Language Quarterly, 74 (2013), 363–89
Afterword to Helmut Hühn and James Vigus (eds.), Symbol and Intuition: Comparative Studies in Kantian and Romantic-Period Aesthetics (London: Legenda, 2013), 191–3
'Coleridge's Ecumenical Spinoza', in Beth Lord (ed.), Spinoza beyond Philosophy (Edinburgh Univ. Press, 2012), 188–207. Abridged reprint in Romanticism and Victorianism on the Net, 61 (April 2012 [i.e. November 2013])
'Telling Stories about Romantic Theory', European Romantic Review, 23 (2012), 305–11
'Byron between Ariosto and Tasso', in Frederick Burwick and Paul Douglass (eds.), Dante and Italy in British Romanticism (New York: Palgrave Macmillan, 2011), 39–53
'Ruins without a Past', Essays in Romanticism, 18 (2011), 7–27 [on imaginary and artificial ruins in literature and visual arts of the long eighteenth century]
'The Very Model of a Modern Epic Poem', European Romantic Review, 21 (2010), 589–600 [on Byron's Don Juan]. Reprinted in Thomas Pfau and Robert Mitchell (eds.), Romanticism and Modernity (New York: Routledge, 2011), chap. 10
'Coleridge on Allegory and Symbol' in Frederick Burwick (ed.), The Oxford Handbook of Samuel Taylor Coleridge (OUP, 2009), 345–58
'Forward to Rome: The Life and Legacy of Andrea Palladio', The London Magazine, March/April 2009
'Coleridge's Most Unfortunate Borrowing from A. W. Schlegel' in Christoph Bode and Sebastian Domsch (eds.), British and European Romanticisms (Trier: WVT, 2007), 131–42
'Greek Myths, Christian Mysteries, and the Tautegorical Symbol', The Wordsworth Circle, 36 (2005), 6–8
'Northrop Frye's Fearful Symmetry', Essays in Criticism, 55 (2005), 159–72
'Lucy, Lucia, and Locke', Romanticism on the Net, 34/35 (May/August 2004) [on Scott's Bride of Lammermoor and Donizetti's Lucia di Lammermoor]
'How Coleridge Was Wilder than Byron', Romanticism, 10 (2004), 144–57
'The Metaphysical Context of Frye's Monadology', in Jeffrey Donaldson and Alan Mendelson (eds.), Frye and the Word: Religious Contexts in the Writings of Northrop Frye (University of Toronto Press, 2004), 97–104
Seven articles in C. J. Murray (ed.), Encyclopedia of the Romantic Era, 1760–1850, 2 vols. (New York: Fitzroy Dearborn, 2004): 'Art and Classical Antiquity', 'Boullée, Étienne-Louis' (French architect), 'Jacobi, Friedrich Heinrich' (German philosopher and novelist), 'Klenze, Leo von' (German architect), 'Robinson, Henry Crabb' (English diarist and journalist), 'Schinkel, Karl Friedrich' (German architect and painter), 'Symbol and Allegory'
'Walter Benjamin's Unacknowledged Romanticism', Lingua Humanitatis, 2 (2002), 97–104
'When Is a Symbol Not a Symbol? Coleridge on the Eucharist', The Coleridge Bulletin, 20 (2002), 85–92
Broadcasts and blog posts:
'Incorporating Oxford Scholarly Editions Online into Undergraduate Teaching', Oxford Scholarly Editions Online, published 14 October 2013
'Snapshots in Time: Critical Editions and Changes in Editorial Practice', Oxford Scholarly Editions Online, published 31 July 2012
Audio slideshow on William Blake's Illustrations of the Book of Job, BBC News, 19 May 2011
Radio interview about the Romantic symbol, KZSU FM, Stanford University, 8 Feb. 2011
Before coming to Oxford I had a tenured appointment in the departments of English and Comparative Literature at the University of Washington, Seattle. In winter 2011 I was a Visiting Professor of English at Stanford University.
Romantic and Eighteenth-Century Studies Oxford (online forum)
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