Mendelssohn, Dr Michèle
Job Title: Associate Professor (University Lecturer) and Tutorial Fellow
Period/ Subject: Late 19th & Early 20th Century British and American Literature
Email address: firstname.lastname@example.org
I have 4 books in progress. The first is about the young Oscar Wilde and, in particular, his 1882-3 lecture tour of the United States and Canada. The second book examines the legacy of 19th century British decadence in the works of 20th century African American writers, especially during the Harlem Renaissance. This project was awarded the 2014 Donald C. Gallup Fellowship in American literature at Yale University's Beinecke Rare Book and Manuscript Library. A chapter will soon appear in African American Review.
Alongside these projects, I am working on two co-edited books: Oxford 21st Century Approaches to Literature, 1880-1920 (with Laura Marcus and Kirsten Shepherd-Barr; Oxford University Press) and Writing under the Influence: Essays on Alan Hollinghurst (with Denis Flannery; Manchester University Press).
My first book was Henry James, Oscar Wilde and Aesthetic Culture (Edinburgh UP, 2007). It will be reissued in paperback in October 2014.
This book asks why being "aesthetic" mattered so much to the Victorians. It explains how British and American Aestheticism (the literary and artistic movement that flourished on both sides of the Atlantic between the 1860s and early 1900s) responded to anxieties about culture, nationality, sexuality and originality.
The book begins by reconfiguring Aestheticism as a transatlantic dialogue, and making Henry James and Oscar Wilde the critical figures in this conversation. It then shows that the lifelong rivalry between these two preeminent authors actually reflected a creative dynamic that dominated aesthetic culture on both sides of the sea. This dynamic is traced through James's and Wilde's works, as well as through their relationships with the Impressionist painter James McNeill Whistler, and the novelist and Punch cartoonist George Du Maurier. This dynamic, then, is a bridge over culturally troubled waters.
Using queer theory alongside historically-grounded close readings, this study reveals that James's and Wilde's relationship was symptomatic of the vital and transformative cultural exchanges that shaped Anglo-American Modernism.
Selected articles and chapters
- "Rewriting the Genealogy of Minstrelsy for Modernity: 'Cry and Sing, Walk and Rage, Scream and Dance'" African American Review (Spring 2015)
- “Oscar Wilde, Henry James and the Fate of Aestheticism.” Oscar Wilde in Context. Eds. Kerry Powell and Peter Raby (Cambridge UP, 2014)
- "Beautiful Souls Mixed up with Hooked Noses: Art, Degeneration and Anti-Semitism in Trilby and The Master." Victorian Literature and Culture 40.1 (March 2012): 179-197.
- “Notes on Oscar Wilde's Transatlantic Gender Politics.” Journal of American Studies 46.1 (February 2012):1-15.
- “Aestheticism and Decadence.” Henry James in Context. Ed. David McWhirter (Cambridge UP, 2010): 93-104.
- “The Tragic Muse.” Critical Companion to Henry James: A Literary Reference to His Life and Work. Eds. Eric Haralson and Kendall Johnson (Clearmark, 2009)
- “‘I’m not a bit expensive’: Henry James and the Sexualization of the Victorian Girl.” Nineteenth-Century Childhood and the Rise of Consumer Culture. Ed. Dennis Denisoff (Ashgate, 2008): 81-93.
- “Introduction: A Twenty Year Old.” Revaluing and Re-Evaluating Richard Ellmann's Oscar Wilde. Ed. Michèle Mendelssohn. The Oscholars (2007).
- “Oscar Wilde”, Men and Masculinities: A Social, Cultural and Historical Encyclopedia. Eds. Michael Kimmel and Amy Aronson (ABC-Clio, 2004)
- “Ticket to Rye: a Visit to Henry James's House”, The New Compass: a Critical Review (Dec 2004)
- “Homosociality and the Aesthetic in James’s Roderick Hudson”. Nineteenth-Century Literature (March 2003): 512-541.
- “Reconsidering Race, Language, and Identity in The Emperor Jones”. The Eugene O’Neill Review (Spring/ Fall 1999): 19-29.
- “Henry James.” The 1890s Online. Eds. Dennis Denisoff and Loraine Janzen Kooistra.
- Public Lecture, British Library, 17 April 2015.
- Public Lecture, Concordia University, Montreal, 19 March 2015.
- Invited Talk, De Montfort University, May 2015.
- Keynote, Cosmopolitanism, Aestheticism, and Decadence, 1860-1920, Oxford, 17-18 June 2014.
- Invited Talk, Yale University, April 2014.
- Invited Talk, Cambridge University, January 2014.
- Invited Talk, Inaugural Symposium of the British Association of Nineteenth-Century Americanists (BrANCA), Sussex, 1-2 November 2013.
- Panel chair, Art Across the Black Diaspora: Visualizing Slavery in America, 29-30 May 2013. CLICK HERE FOR CONFERENCE PODCAST
- Research paper, Alternative Modernisms: An International, Interdisciplinary Conference, Cardiff, 15-18 May 2013.
- Invited talk, Victorian Studies Centre, University of Leicester, 8 May 2013.
- Panel chair, Modernist Magazines in the Americas: Points of Departure Conference, 12 Dec 2012.
- Conference co-organiser, Alain Locke in the 21st Century, 12-13 October 2012.
- Research paper, Race, Nation and Empire on the Victorian Stage, Lancaster, 11-14 July 2012.
- Panel chair, Placing Henry James, Henry James Society Conference, London, June 29-July 1 2012.
- Research paper, A Stray Savage in Oxford: A Henry James Centenary Symposium, 25 June 2012.
- Invited talk, Department of English, Emory University, 15 April 2012.
- Invited talk, Tanner Humanities Center, University of Utah, 2 March 2010.
- Invited talk, Glasscock Center for Humanities Research, Texas A&M University, 26 January 2010.
Michèle Mendelssohn was born and grew up in Montréal, Canada. She completed her first degree in English Literature and Liberal Arts at Concordia University. She went on to study German and American literature at the University of Heidelberg as a Deutscher Akademischer Austauschdienst Fellow. In 1999 she won a scholarship to Cambridge University where she completed her M.Phil. (First) and Ph.D. at King's College. In 2001, she went to Harvard University as a Fulbright Scholar and Departmental Associate in English. She has taught at Edinburgh University, Boston University, Harvard, Cambridge, and Heidelberg. She joined Oxford’s English Faculty in 2009.
Her research has won numerous awards including a Leverhulme Trust Research Fellowship, Beinecke Fellowship (Yale), Obert C. and Grace A. Tanner Visiting Research Fellowship (Utah), Research Fellowship in African American History and Culture (Emory University) and, at the British Library, an Eccles Centre American Studies Visiting Fellowship.
She is on the editorial board of English Literature in Transition, 1880-1920 and Canadian Review of American Studies. She reviews for Modernism/ modernity, Henry James Review, Victorian Review, Review of English Studies, and other journals.
In Oxford's English Faculty, she co-convenes the M.St. English Language and Literature (1830–1914) with Helen Small. She was Victorian Period Convenor from 2011-2013. She co-organised the Alain Locke in the 21st Century Symposium with Elleke Boehmer, Laura Marcus and Lloyd Pratt.
At the Rothemere American Institute, she co-convened the American Literature Research Seminar from 2012-2014. She has been a member of the Academic Committee since 2013. In the Oxford Centre for the Humanities, she is part of The Race and Resistance Network.