Professor Paulina Kewes: List of publications

Showing 26 to 50 of 53 publications
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French Drama

Greek and Roman Drama

Jewish History and Christian Providence in Elizabethan England: The Contexts of Thomas Legge’s Solymitana Clades (The Destruction of Jerusalem), c. 1579-88

Contemporary Europe in Elizabethan and Stuart Drama

Dryden’s Theatre and the Passions of Politics

Plagiarism in Early Modern England

The Elizabethan History Play: A True Genre?

Roman History and Early Stuart Drama: Thomas Heywood's The Rape of Lucrece

Otway, Lee and the Restoration History Play

Historicising Plagiarism

Julius Caesar in Jacobean England

Shakespeare’s Lives in Print, 1662-1821

Plays as Property, 1660-1710

"A Play, which I presume to call original”: Appropriation, Creative Genius, and Eighteenth-Century Playwriting

"The State Is out of Tune": Nicholas Rowe's "Jane Shore" and the Succession Crisis of 1713-14

Rochester’s Satyre Against Reason and Mankind from Page to Stage

Dryden and the Staging of Popular Politics

John Dryden

Shakespeare and New Drama

Authorship and Appropriation Writing for the Stage in England, 1660-1710

Between the “Triumvirate of wit” and the Bard: The English Dramatic Canon, 1660-1720

GERARD LANGBAINE'S 'VIEW OF PLAGIARIES' THE RHETORIC OF DRAMATIC APPROPRIATION IN THE RESTORATION1

“Give me the sociable Pocket-books”: Humphrey Moseley’s Serial Publication of Octavo Play Collections

The Politics of the Stage and the Page: Source Plays for George Powell’s A Very Good Wife (1693) in their Production and Publication Contexts

Intratextual Text Interaction and Cultural Reinterpretation: Toni Morrison, The Bluest Eye

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