“This uncomatable book”: new evidence of the circulation and reception of the poetry of James VI/I
February 2022
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Journal article
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Huntington Library Quarterly
This essay examines manuscript additions to a copy of the first printed work by James VI/I, The Essayes of a Prentise, in the Divine Art of Poesie (1584), held in Winchester College Fellows' Library. This copy, which has not previously been studied, contains a manuscript supplement of three poems by James that were not printed during his lifetime, as well as a unique sonnet in praise of the king and a small set of marks of reading. The essay reassesses the picture that has emerged of the circulation of James's poetry in manuscript in light of the evidence provided by the Winchester copy of the Essayes. It also sheds light on the response to the Essayes among Scottish readers through an examination of the panegyric sonnet and marks of reading.
FFR
Miscellanies, Poetry, and Authorship, 1680–1800
April 2021
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Book
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries.
Eighteenth-Century Literature
From restorer to editor: the evolution of Lewis Theobald's textual critical practice
June 2019
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Journal article
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Library
Lewis Theobald made his name as a Shakespearean textual critic in 1726 with Shakespeare Restored, but it was not until 1733 that his edition of Shakespeare’s plays was published. This article traces Theobald’s development as a Shakespearean scholar and editor during this period. Drawing on his surviving correspondence with William Warburton and on an extant portion of the printer’s copy for his edition, the article shows how Theobald continued his work on Shakespeare’s text after 1726 and how he used the materials he amassed to prepare his edition. This leads to a reassessment of Theobald’s treatment of his copy text, Alexander Pope’s edition of the plays. An analysis of Theobald’s editing of King Lear makes clear that, far from rejecting Pope’s conjectures and improvements, Theobald chose to appropriate many of them as part of his mission to produce a more intelligible text of Shakespeare.
William Shakespeare, Lewis Theobald, Alexander Pope, King Lear, textual criticism
From Wadham to Winchester: Reconstructing an Eighteenth-Century Gentleman’s Library
February 2018
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Presentation
Invited talk given at the Graduate Seminar in the Arts and Humanities, Department for Continuing Education, University of Oxford, UK.
Working with Data: Excel, XML, and Poetry
November 2016
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Presentation
Invited talk given at the Researching the Eighteenth Century seminar, The Oxford Research Centre in the Humanities (TORCH), University of Oxford, UK.
How Many Authors Make a Miscellany? Authorship in Printed Verse Miscellanies of the Eighteenth Century
July 2016
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Presentation
Paper delivered at 'Lines of Connection: An International Conference on Eighteenth-Century Poetry', held at the University of Oxford, UK.
Verse Miscellanies in the Eighteenth Century
June 2016
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Chapter
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Oxford Handbooks Online
The eighteenth century was an age of miscellanies; thousands of miscellaneous collections containing verse appeared in print over the course of the century. This article considers miscellanies as a distinct kind of verse collection; whereas anthologies promote authorship as a category of literary definition, miscellanies invite readers to sample a variety of poetic forms and genres and often include poems without authorial attribution. The eighteenth-century tradition of miscellanies devoted exclusively to poetry has its roots in the late seventeenth century, and many aspects of seventeenth-century miscellany culture persisted well into the next century. This article looks at a number of ways in which verse miscellanies offer fresh perspectives on eighteenth-century literary culture. The popularity and reception of particular poems and poets, the formation of the English literary canon, and the status of authorship are all areas in which miscellanies make a significant contribution to critical understanding.
The First Modern Editor of Shakespeare? Lewis Theobald and the Art of Editing
February 2016
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Presentation
Invited talk given at the Centre for Early Modern Mapping, News and Networks seminar, Queen Mary University of London, UK.
Consumer Collecting: Readers and Their Sammelbände in Eighteenth-Century England
March 2015
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Presentation
Paper delivered at the 46th Annual Meeting of the American Society for Eighteenth-Century Studies, held in Los Angeles, CA, USA.
"We read laughing, or regard thee not”: Eighteenth-Century English Poetry in the Library of Alexander Thistlethwayte
January 2014
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Presentation
Paper delivered at the 43rd Annual Conference of the British Society for Eighteenth-Century Studies, held at St Hugh's College, Oxford, UK.
“That accurate and punctual Man of Letters”: Scriblerian Ridicule and Lewis Theobald’s Editorial Practice
November 2013
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Presentation
Paper delivered at a conference on 'Text and Book in the Age of Swift' held at St Peter's College, Oxford, UK.
“[S]ua sall you tak new troy”: A New Sonnet and Jacobean Literary Culture Before 1603
October 2013
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Presentation
Paper delivered at the Early Modern Literature, Culture and Society Seminar, University of Birmingham, West Midlands, UK.
The Thistlethwayte Donation to Winchester College
February 2013
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Presentation
Paper delivered at the symposium 'Unlocking the Private Library', held at Winchester College, Hampshire, UK.
Shakespeare Inherited: The Logic of the Received Text in Lewis Theobald’s Editorial Practice
January 2013
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Presentation
Paper delivered at the 42nd Annual Conference of the British Society for Eighteenth-Century Studies, held at St Hugh's College, Oxford, UK.
Nominated for the BSECS President's Prize.
Private Theatricals in the Harcourt Family Papers
November 2011
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Journal article
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Nineteenth Century Theatre and Film
4705 Literary Studies, 36 Creative Arts and Writing, 47 Language, Communication and Culture, 3604 Performing Arts, 3605 Screen and Digital Media
"Nuneham by ev’ry Muse belov’d”: The Harcourts of Nuneham Park and Manuscript Circulation, 1765-1826
July 2011
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Presentation
Paper delivered at a conference on 'The Intellectual Culture of the British Country House, 1500–1700' held at the University of Sussex, UK.
Private Theatricals in the Harcourt Family Papers
December 2010
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Presentation
Paper delivered at the symposium "What Signifies A Theatre?”: Private Theatricals, 1780–1820", held at Chawton House, Hampshire, UK.
The Harcourt Papers: Collecting Manuscript Poetry in the Eighteenth Century
October 2010
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Journal article
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Bodleian Library Record
“This uncomatable Book”: New Evidence of the Circulation and Reception of the Poetry of James VI/I
Journal article
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Huntington Library Quarterly: studies in English and American history and literature