This new edition, edited by Kirsten E. Shepherd, and Tzen Sam, traces the conversation between Ibsen and Kieler through these plays, across almost two decades and brings Kieler centre stage, and deepens our understanding of Ibsen's A Doll's House and When We Dead Awaken. These three plays create a fascinating whole: a fusion of vantage points, contexts, and visions still reverberating on and off stage today. Furthermore, the two Ibsen plays speak to each other in startling and fresh ways. This volume also explores 21st century concerns about consent and the many ways in which women in particular are still not heard.
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