Dr Eleri Anona Watson

Introduction:  

I am a scholar of post-45 Anglo-American literature. My research is interdisciplinary and centres on notions of kinship within feminist, queer, trans, and African-American activism, literature and theory.

I am a Lecturer and Tutor in English Literature (UG/PGT) and Women’s, Gender, and Sexuality Studies (PGT). I also serve as the Academic Mentor for the American Literature (PGT) and Women’s, Gender, and Sexuality Studies (PGT) MSt. In March 2024, I was named the University’s first Fellow in Queer Studies (Humanities Division).

I have previously held numerous academic roles at Oxford including Doctoral Tutorial Fellow at Regent’s Park College, Research Fellow at the Rothermere American Institute, Teaching Fellow at the Ashmolean Museum, and Research Assistant to Professor Lloyd Pratt. Internationally, I have served as Visiting Research Fellow at the University of Southern California and Christopher Isherwood Fellow at The Huntington Library.

I am originally from South Wales, where I benefitted from a state, Welsh-medium education. After completing my A-Levels, I spent a year studying French at the Université Libre de Bruxelles.

I hold an undergraduate degree in English, French, and History of Art from University College, Durham University. During my undergraduate degree, I also studied for a postgraduate certificate in Literary Translation at the École de Traduction et Interprétation ISTI (Brussels). During this time, I supported migrant communities as a lecturer and trainee counsellor at the feminist education charity, Le Centre Féminin d’Education Permanente (Brussels). 

I hold an MSt in Women’s Studies from Wadham College, University of Oxford, where I was a Swansea Foundation/James Pantyfedwen scholar. In 2022, I completed my DPhil in English Literature at The Queen’s College, University of Oxford.

Research:

My doctoral thesis examined the nature and (im)possibilities of queer kinship. Looking to canonical works of queer theory, I argued that queerness cannot be untethered from an ethics of experimental kinship. This implicates the pursuit of new, ever-changing and expanding kinship possibilities by crossing, querying and playfully deconstructing hetero-capitalism’s dividing lines of class, race, and sexuality. By continually changing/supplementing/questioning the borders of ‘identity’, queer kinship deconstructs the notion of unified identity (identity politics) for an identification politics of being-together in difference.

For many queer theorists, this vision of queerness is tied to Michel Foucault’s quasi-manifesto for a gay ‘way of life’. The ‘crossing points’ of Foucault's ‘gay’ way of life’ might, at first glance, echo queer’s relational politic, And indeed, these theorists have recast Foucault’s gay as a queer ‘way of life’. However, I contended that this conflation is a misnomer, overlooking contradictions and exclusions of Foucault’s quasi-manifesto. Wilfully delimiting relational choices and rejecting even the possibility of deconstructing binaries of male/non-male identity, Foucault’s gay ‘way of life’ is, I argued resolutely ‘un-queer’. 

While foundational notions of queer/queering establish deconstructive relationality as their basis, Anglo-American feminists and queer theorists have declined to acknowledge or engage with queer theory’s basis in the deconstructive thought of  Jacques Derrida and Hélène Cixous. Through a radical queer reading of Derrida and Cixous’ forty-year-long intertextual dialogues regarding the nature, (im)possibilities of, and strategies for sustaining their own loving friendship [aimance], I interrogated this refusal. Countering narratives of domination/absorption that characterise friendship in the Western philosophical tradition, aimance implicates a deconstructive ethics involving: a wilfulness to continually welcome the other (hospitable approach) and identify with/against the other (voler/différance)—deconstructing one’s own ‘identity’—all the while respecting and sustaining the otherness/unknowability of the other. Aimance, I argued, articulated an ethics of queer kinning,  while their dialogues offer a playbook for queer scholars and activists in how to allow for and sustain queer kinship.

In addition, I offered a radical re-interpretation of the ‘approach-as-event’ that overturned criticisms of deconstruction’s untethering of theory from context. This understanding of aimance’s possibility as context-dependent facilitated my examination of the (im)possibility of queer kinship in the post-war writing of Christopher Isherwood and his contemporaries Tennessee Williams and Gore Vidal. 

I focussed on Isherwood’s depiction of cross-identarian ‘fag-hag’ friendships. While these offered potential sites for queer kinship, I contended that in the face of Cold War hetero-capitalism, and the emergence of ‘identity politics’, such writers collaborated to produce a homosexual identity politics that was fundamentally incompatible with the possibility of the loving, cross-identification that characterises queer kinship. For such authors, a queerly loving kinship between ‘fag’ and ‘fag hag’ thus appears impossible.

My current research expands the critical insights of my doctoral thesis. I am currently preparing two projects: the first, ‘Between Men: Isherwood, his tribe, and their women’ traces the development of Isherwood’s misogynistic gay politic and its primary expression in the gross figuration of the ‘fag-hag’. This study examines how this politic of gay identity—also prevalent in the work of Isherwood’s ‘tribe’— was shaped by the circulation and editing of manuscripts among figures such as Tennessee Williams, Gore Vidal, and Edward Upward.

In my second project, ‘Derrida and Cixous: A Friendship for Now/for Life’, I question the fraught relationship between Jacques Derrida and Hélène Cixous’ deconstructive ethics of ‘loving kinship’ and the ‘return to the subject’ in queer, trans, and Black literature, art, and thought. I argue that—far from highlighting deconstruction’s perceived political failures— a return to Derridean and Cixousian relational ethics might help unclog the theoretical impasses that trouble contemporary queer, trans, and Black thought.

Publications and Presentations:

I have published on topics relating to deconstructionist, queer, trans, Black and feminist thought, literature, art, and film 1900-present. My recent publications can be found in Exchanges (2015), Katherine Mansfield and Bliss and Other Stories (2020), The Journal of Modern and Contemporary France (2022), U.S. Studies Online (2024), and The Edinburgh Companion to Queer Reading (2024)

I have presented my research at major conferences in Europe and the US. I have also served as a keynote and invited speaker at institutions including the University of Cambridge, the University of Southern California, and Charleston. 

I welcome academic outreach opportunities. I have discussed my research interests, writing, and activism in articles for El País and The Guardian, as well as on BBC News, and BBC Radio 4's Today programme. My research has also contributed to exhibitions (Christopher Isherwood at Corpus Christi, University of Cambridge (2024)) and theatrical projects (Mia Hull, Christopher and the Grave-Diggers (2024)). 

I have served as a peer-reviewer for numerous journals and presses including Routledge, Vernon Press, Studia Anglica Posnaniensia, and Oxford Research in English. I welcome invitations to review articles and manuscripts relevant to my research interests.

Selected Grants, Awards and Honours:

2024:

  • Derrida Today Scholar, Derrida Today, Edinburgh University Press.

2020-22:

  • Christopher Isherwood Fellowship. The Christopher Isherwood Foundation.

2019:

  • Postgraduate Award. The Queen’s College, University of Oxford.
  • Baillie Gifford Writing Scholarship. University of Oxford

2018:

  • Global Dome Scholarship. University of Notre Dame.

2016:

  • Visiting Research Fellowship. University of Southern California.
  • Santander Scholarship. University of Oxford.

2015: 

  • Wadham College Postgraduate Scholarship. Wadham College, University of Oxford.
  • Women in the Humanities Award. TORCH, University of Oxford.

2014:

  • Postgraduate Scholarship. The James Pantyfedwen Foundation.
  • Postgraduate Scholarship. The Swansea Foundation.
  • Urdd Athroniaeth Graddedigion Prifysgol Cymru Scholarship. Cardiff University.

2013:

  • Vice-Chancellor's Scholarship, University of Durham.

I have successfully led faculty and divisional teaching and supervision in English Literature and Women’s, Gender, and Sexuality Studies.  

English Literature

Core Modules:

2023-24

Literature in English 1760-1830.

2016-24

Introduction to English Language and Literature.

Literature in English 1830-1910.

Literature in English 1910-present.

Elective Modules (Convenor):

2016-18; 2022-24

Writing Feminisms and Feminist Writing (1750-Present).

2016-24

Study/Writing Skills Programme.

Visiting Students Programme (Convenor):

2023-24

Queer* Temporalities (1930-Present).

Theories and Subjects of the Contemporary Romance (1990-Present).

Jane Austen: Literature, Theory, Adaptation.

Literature in English 1830-1910.

Literature in English 1910-Present.

2022-24

‘Queer’ and its Intersections: Theory and Writing.

Writing Feminisms and Feminist Writing (1750-Present).

The Short Story (1800-Present).

2022-23

Gender, Drama and Theatrical Space (1945-Present).

2021-24

Modern Drama 1870-Present.

2021-23

AIDS Writing and its Afterlives.

Black British Drama.


 

Women’s, Gender and Sexuality Studies: 

Core Modules:

2018-24

Co-convenor: Feminist Theory.

Elective Modules:

2024

Co-convenor: Transgender Theory and Writing.

2020-24

Convenor: Kinship and the Nature of Queerness.

 

Krasis Scholars Interdisciplinary Humanities Programme (Ashmolean Museum)

Elective Seminar Series (Convenor):

2018-21

Queer-ying Objects.

Transforming Objects.

 

Supervision:

My research and teaching specialisms include deconstructionist, queer, trans, Black and feminist thought, literature, art, and film 1900-present. I have previously supervised UG and PG projects on topics including: 

  • African-American and Black British Literature, Film, Art and Theory (1830-Present).
  • AIDS Literature, Art, and Film.
  • Autotheory and Autofiction.
  • Chicanx/Latinx Literature and Theory (1950-Present).
  • Comparative Literature and Theory (French/English and Welsh/English; 1900-Present).
  • Deconstructionist Approaches to Literature, Art, and Film.
  • Erotic and Pornographic Writing (1700-Present).
  • Feminist Literature, Art, Film, and Theory (1830-Present).
  • Literature and Fan Fiction (1990-Present).
  • Posthumanism and the ‘Mycological Turn’ (1900-Present).
  • Queer/Trans Literature, Art, Film, and Theory (1830-Present). 
  • Sex Work and Digital Bodies.
  • The Short Story (1900-Present).
  • Urban architecture/planning and literature (1900-Present).

I welcome proposals to supervise undergraduate and postgraduate projects relating to these areas. 

Access, Outreach, and Academic Service:

My work benefits from regular dialogue with researchers, students of all ages and the general public. I have co-/chaired numerous international conferences and symposia. I have organised public engagement activities and built cross-institutional/knowledge-exchange partnerships with organisations including the Victoria & Albert Museum, The Pitt Rivers Museum, The Stuart Hall Foundation, and Cambridge University, as well as numerous performing arts collectives and charities. As co-founder and chair of Oxford’s Queer Studies Network, I established supportive spaces for students and Oxford residents to learn, present, and discuss queer topics. I coordinated a programme of free weekly lectures, seminars, workshops, conferences, masterclasses, networking events, public engagement activities, performances, and exhibitions for academics, activists, and the general public. From Oxford’s Queer Studies Network, I founded the UK Queer Studies Network.

Presently, I represent the Faculty of English on the board for Interdisciplinary Humanities, working with stakeholders across the University to engage in future planning and develop events, academic networks, and programmes in the Humanities. I am also Events Manager at the Oxford Centre for Life-Writing, where I organise free lectures, seminars, workshops, festivals, and regular outreach/access activities. I am a keen member of my adoptive community in Brixton, South London. In 2022, I helped develop an online archive ('Revolting Gays') for South London’s Gay Community Centre and Squats.

I have demonstrated a commitment to outreach and widening access and participation throughout my academic career. I have collaborated with school leaders to design and convene an intensive programme of lectures and seminars for ‘Most Able’ high school students from disadvantaged backgrounds through the Oxnet Access Scheme (Pembroke College). I have similarly worked with Lady Margaret Hall’s Access Summer School to coordinate masterclasses and seminars with leading writers.

Social Media and Contact:

Email:

eleri.watson@ell.ox.ac.uk

X:

@elerianona

Publications