Professor Carolyne Larrington: List of publications
Showing 1 to 102 of 102 publications
Sjón and the Long Icelandic Medieval Past
July 2024
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Chapter
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Critical Approaches to Sjón
5005 Theology, 50 Philosophy and Religious Studies, 4705 Literary Studies, 47 Language, Communication and Culture
Emotion and the Medieval Self
January 2024
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Journal article
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Emotions History Culture Society
47 Language, Communication and Culture, 4705 Literary Studies
Heather O’Donoghue: An Appreciation
November 2023
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Chapter
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The Medieval North and Its Afterlife
George R. R. Martin’s A Song of Ice and Fire and Maurice Druon’s Les Rois Maudits ( The Accursed Kings )
January 2022
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Chapter
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Memory and Medievalism in George R. R. Martin and Game of Thrones
43 History, Heritage and Archaeology, 47 Language, Communication and Culture, 4303 Historical Studies, 4705 Literary Studies
Introduction
January 2022
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Journal article
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Memory and Medievalism in George R. R. Martin and Game of Thrones: the Keeper of all Our Memories
Memory and Medievalism in George R. R. Martin and Game of Thrones: The Keeper of All Our Memories
January 2022
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Book
This book explores the connections between history and fantasy in George RR Martin's immensely popular book series 'A Song of Ice and Fire' and the international TV sensation HBO TV's Game of Thrones. Acknowledging the final season's foregrounding of the cultural centrality of history, truth and memory in the confrontation between Bran and the Night King, the volume takes full account of the TV show's conclusion in its multiple readings across from medieval history, its institutions and practices, as depicted in the books to the show's own particular medievalism. The topics under discussion include the treatment of the historical phenomena of chivalry, tournaments, dreams, models of education, and the supernatural, and the different ways in which these are mediated in Martin's books and the TV show. The collection also includes a new study of one of Martin's key sources, Maurice Druon's Les Rois Maudits, in-depth explorations of major characters in their medieval contexts, and provocative reflections on the show's controversial handling of gender and power politics. Written by an international team of medieval scholars, historians, literary and cultural experts, bringing their own unique perspectives to the multiple societies, belief-systems and customs of the 'Game of Thrones' universe, Memory and Medievalism in George RR Martin and Game of Thrones offers original and sparky insights into the world-building of books and show.
Postscript
January 2022
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Chapter
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Memory and Medievalism in George R. R. Martin and Game of Thrones
43 History, Heritage and Archaeology, 47 Language, Communication and Culture, 4303 Historical Studies, 4705 Literary Studies
Making 'modern fairies': making fairies modern
March 2021
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Journal article
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Folklore
An AHRC-funded project ‘Modern Fairies and Loathly Ladies’ investigated what happened when a number of artists (musicians, writers, filmmakers) were asked to respond to and remediate a curated selection of traditional stories about fairies and loathly ladies. The artists came to the project with a spectrum of different views about fairies, ranging from belief in their existence to absolute scepticism about the supernatural. The works-in-progress they created were performed in a series of experimental shows at The Sage Gateshead theatre in 2019. The artists took up certain themes such as the otherworld, time slippage, fairies and children, but were not attracted by others. Fairy material was reconfigured to reflect contemporary concerns about the natural world and to explore ways in which magical human animal transformation spoke to women’s experience.
Making ‘Modern Fairies’: Making Fairies Modern
January 2021
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Journal article
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Folklore
4401 Anthropology, 44 Human Society
Heritage, culture and artistic reciprocity: Remediating the mythical
January 2021
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Chapter
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Music and Heritage: New Perspectives on Place-making and Sonic Identity
This chapter discusses initial findings from research into the heritage culture of British folk-tales and how such material can be made relevant to contemporary audiences via artistic remediation. Given that the specificity of artistic production has long been acknowledged, the paper considers the artists as ‘cultural intermediaries’ (Bourdieu 1984) - actors occupying the conceptual space between production and consumption - in an artistic process which mediates between professional(ised) and everyday heritage consumption. The chapter focuses on the processes and pressures involved with practice-based research and collaboration with different kinds of performers, in a project which actively places composition in its social context through involving audiences and the commercial arts sector in a process designed to remediate heritage culture. Research data offer reflective analysis of the self-conceptualisation of artists working as both performer and researcher within the project, and their negotiations of agency, autonomy and ‘creative reciprocity’ within a collaborative process.
"(No More) Reaving, Roving, Raiding, or Raping”: The Ironborn in George R. R. Martin’s A Song of Ice and Fire and HBO’s Game of Thrones
January 2020
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Chapter
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The Vikings Reimagined: Reception, Recovery, Engagement
Preface
November 2019
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Chapter
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Queenship and the Women of Westeros Female Agency and Advice in Game of Thrones and A Song of Ice and Fire
This volume is a wide-ranging study of those intersections.
History
Stephen and the Women
October 2019
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Chapter
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Of Mud and Flame - a Penda`s Fen Sourcebook
Exploring Penda's Fen, a 1974 BBC film that achieved mythic status.
Modern Faires and Loathly Ladies
January 2019
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Media
Podcast series
‘George R. R. Martin’s A Song of Ice and Fire, HBO’s Game of Thrones and (Neo)Medievalism’
January 2019
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Chapter
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New Perspectives in English and American Studies: Vol. I: Literature
‘New Thoughts on Old Wisdom: Norse Gnomic Poetry, the Narrative Turn and Situational Ethics’
January 2019
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Chapter
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Proverbia Septentrionalia Essays on Proverbs in Medieval Scandinavian and English Literature
Proverb texts have, and indeed may be defined by, their own generative structure, the presence of which in texts incorporated in poems and stories marks such passages not merely as instructive in themselves, but also as resonating with ...
Proverbs, English
. Memory and Emotion
November 2018
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Chapter
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Handbook of Pre-Modern Nordic Memory Studies Interdisciplinary Approaches
Finally, this handbook demonstrates the various levels of culture where memory had a critical impact in the pre-modern North and how deeply embedded the role of memory is in the material itself.
Literary Criticism
II: 18 Emotions
November 2018
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Chapter
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Handbook of Pre-Modern Nordic Memory Studies
Mediating medieval(ized) emotion in Game of Thrones
May 2018
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Journal article
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Studies in Medievalism XXVII
HBO’s Game of Thrones, based on George R. R. Martin’s cult book series A Song of Ice and Fire, is currently the world’s most popular television show. It mediates a medieval world – more correctly, a constellation of imagined medieval societies – in a “utilitarian bricolage.” The show focuses, particularly in its final seasons, on the western-style cultures of the continent of Westeros. Here, as many online commentators note, a familiar type of medievalism, “the ‘life is filthy, brutal and short” version,” intimates that the show is “realistic”, clearly setting itself in opposition to the idealized “Merrye Olde Englande version” of many early twentieth-century medievalist imaginings – for example, Tolkien’s Shire. Game of Thrones also offers, in some respects, a highly orientalized version of eastern societies – both Middle and Far Eastern – with its depictions of the Dothraki (a nomadic society of horsemen based on the Mongols) and the slaving cultures at Slavers’ Bay, who owe much to medieval notions of Saracens. The show depicts a range of different emotions within its complex, interweaving storylines; by deploying emotions strongly associated with the medieval period in the popular imagination it claims, at an implicit level, to authenticate the alterity of the realization of Martin’s world created by showrunners David Benioff and Daniel Weiss, foregrounding alternative and challenging aspects of human experience. In so doing, the show elicits powerful emotional reactions both within its fan community and among more casual audiences. The concomitants of “medieval” emotion in the show are frequently shocking, characterized by (often sexual) violence, or explicit nudity and sexual activity (a noted hallmark of HBO programming). “The ‘un-modern’ setting of these films [sc. medieval movies] is used as a licence to project taboo images and actions – particularly around the body and what might be done to it or done with it, or how it might be displayed,” notes Andrew Higson of films set in the medieval past. So, too, with the TV show. Notwithstanding these sensationalizing impulses, other historically attested medieval emotions or emotion-related behaviors are eschewed or downplayed as just too alien and unsympathetic. The world of Game of Thrones instantiates a medievalism that may, at times, be misleading about the past, but also one that both invites and integrates critique of its imagined emotional systems.7 The show opens up larger questions about human feeling as both universal and culturally contingent: questions at the heart of current thinking about emotions and emotion research methodologies.
Gender/Queer Studies
June 2017
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Chapter
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Handbook of Arthurian Romance
A Textscape: On Sámsey
June 2017
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Chapter
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Skandinavische Schriftlandschaften: Vänbok till Jürg Glauser
Literary Criticism
The Norse Myths: A Guide to the Gods and Heroes
February 2017
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Book
Who were the Norse gods – the mighty Æsyr, led by Óðinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki’s army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of human heroes and heroines, with their family feuds, revenges, marriages and murders; and the interaction between the gods and mortals, as Óðinn, the Allfather, betrays his human protégés in order to recruit (dead) heroes for his army. Carolyne Larrington describes the myths’ origins in pre-Christian Scandinavia and Iceland, and their survival in artefacts and written sources, from Old Norse sagas and poems to the less approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris and J.R.R. Tolkien, and even the recent Game of Thrones in the resurrection of the Fimbulvetr, or ‘Mighty Winter’.
Mythology, Norse
‘“Wyȝe, welcum iwys to þis place!’ Emotions in the schemas for arrival, return and welcome at the Arthurian court'
October 2016
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Journal article
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Journal of International Arthurian Studies
‘Willkommen, bienvenue, welcome! / Fremder, étranger, stranger!’ What could be more positive an emotion than the warmth which medieval social custom demands that the court extends to the newcomer to its midst? The quality of a welcome is crucial to institutional and individual reputation, to the very idea of courtesy as constitutive of and inherent within the ideal court.
A Handbook to Eddic Poetry Myths and Legends of Early Scandinavia
August 2016
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Book
This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and ...
Literary Criticism
Heroic Legend and Eddic Poetry
August 2016
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Chapter
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A Handbook to Eddic Poetry Myths and Legends of Early Scandinavia
This is the first comprehensive and accessible survey in English of Old Norse eddic poetry: a remarkable body of literature rooted in the Viking Age, which is a critical source for the study of early Scandinavian myths, poetics, culture and ...
Literary Criticism
Arnaldur Indriðason’s Konungsbók: Literary History as MacGuffin, Or: Raiders of the Lost Örk
January 2016
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Chapter
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Studies in the Transmission and Reception of Old Norse Literature: The Hyperborean Muse
Winter is Coming The Medieval World of Game of Thrones
November 2015
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Book
As Carolyne Larrington reveals in this essential companion to George R R Martin's fantasy novels and the HBO mega-hit series based on them the show is the epitome of water-cooler TV. It is the subject of intense debate in national ...
Performing Arts
Emotions in Medieval Arthurian Literature Body, Mind, Voice
October 2015
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Book
Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion in the audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the subject of this volume. Covering texts written in English, French, Dutch, German, Latin and Norwegian, the essays presented here explore notions of embodiment, the affective quality of the construction of mind, and the intermediary role of the voice as both an embodied and consciously articulating emotion.
Arthurian romances
Mourning Gawein: Cognition and Affect in Diu Crône and Some French Gauvain-Texts
October 2015
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Chapter
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Emotions in Medieval Arthurian Literature
4705 Literary Studies, 36 Creative Arts and Writing, 43 History, Heritage and Archaeology, 47 Language, Communication and Culture, 4303 Historical Studies
The Land of the Green Man A Journey Through the Supernatural Landscapes of the British Isles
August 2015
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Book
This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human ...
History
Brothers and Sisters in Medieval European Literature
May 2015
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Book
The literature of the European Middle Ages attends closely to the relationship of brother and sister, laying bare sibling behaviours in their most dramatic forms as models to emulate, to marvel at or to avoid. The literary treatment of siblings opens up multiple perspectives on brothers' and sisters' emotions: love, hate, rivalry, desire, nurturing and ambivalence underlie sibling stories. These narratives are in turn inflected by rank, social context and most crucially, gender.
This book examines these sibling relationships, focusing on the important vernacular literatures of Iceland, France, England and Germany, and building on recent research on siblings in psychology, history and social science. Multiple and subtle patterns in sibling interaction are teased out, such as the essential sibling task of "borderwork" (the establishment of individuality despite genetic resemblance), and the tensions caused by the easy substitutability of one sibling for another in certain social situations. When the sibling bond is extended to the in-law relation, complex emotional, strategic and political forces and powerful ambivalences nuance the relationship still further. Quasi-siblings: foster- or sworn-brothers complete the sibling picture in ways which reflect and contrast with the sibling blood-tie.
medieval literature, gender, medieval history, siblings, history of family
Kerling / Drottning: Thinking about Medieval Queenship with Egils saga einhendar ok Ásmundar berserkjarbana’
January 2015
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Journal article
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Saga-Book of the Viking Society
Learning to Feel in the Old Norse Camelot?
January 2015
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Journal article
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Scandinavian Studies
4702 Cultural Studies, 4705 Literary Studies, 43 History, Heritage and Archaeology, 47 Language, Communication and Culture, 4303 Historical Studies
Virtue and pleasure
January 2015
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Journal article
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TLS - The Times Literary Supplement
The fairy mistress in medieval literary fantasy
June 2014
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Chapter
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Writing and Fantasy
47 Language, Communication and Culture, 4705 Literary Studies
Unto me delyverd
May 2014
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Journal article
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TLS - The Times Literary Supplement
The Poetic Edda
January 2014
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Book
After the terrible conflagration of Ragnarok, the earth rises serenely again from the ocean, and life is renewed. The Poetic Edda begins with The Seeress's Prophecy which recounts the creation of the world, and looks forward to its destruction and rebirth. In this great collection of Norse-Icelandic mythological and heroic poetry, the exploits of gods and humans are related. The one-eyed Odin, red-bearded Thor, Loki the trickster, the lovely goddesses and the giants who are their enemies walk beside the heroic Helgi, Sigurd the Dragon-Slayer, Brynhild the shield-maiden, and the implacable Gudrun. New in this revised translation are the quest-poem The Lay of Svipdag and The Wakingof Angantyr, in which a girl faces down her dead father to retrieve his sword.
Poetry
Völsunga saga and Ragnars saga and romance in Old Norse: revisiting the relationship’
December 2013
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Chapter
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The Legendary Sagas
The present collection of articles about the Icelandic fornaldarsögur, fornaldarsögur Norðurlanda, comprises the third and final of those anthologies concerning these texts edited by Ármann Jakobsson, Annette Lassen and Agneta Ney.
History
Introduction to chapter 7: The later heroic poems of the Edda
December 2013
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Book
I have long desired to cure you of old age: Mothers, Siblings and Murder in the later Heroic Poems of the Edda
June 2013
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Conference paper
'I Have Long Desired to Cure You of Old Age': Sibling Drama in the Later Heroic Poems of the Edda
February 2013
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Chapter
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Revisiting the Poetic Edda
"This collection visits the dramatic poems of Old Norse heroic legend and is a companion volume to The Poetic Edda: Essays on Old Norse Mythology (Routledge, 2002), considering speech act and feminist theory, queer theory and psychoanalytic ...
History
I have long desired to cure you of old age: Mothers, Siblings and Murder in the later Heroic Poems of the Edda
January 2013
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Conference paper
Magical Tales
January 2013
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Book
Revisiting the Poetic Edda: Essays on Old Norse Heroic Legend
January 2013
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Book
The Myths of the North in Children’s Books’
January 2013
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Chapter
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Magical Tales: Myth, Legend and Enchantment in Children’s Books
Children's Literature
‘Brittany in Middle English : giants, marvels and magic’
January 2013
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Chapter
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La ‘matière de Bretagne’: les conservateurs de la mémoire
The 'mighty winter' and two novels inspired by myth welcome to the fimbulvetr
September 2011
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Journal article
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TLS - The Times Literary Supplement
The Translated Lais
July 2011
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Chapter
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The Arthur of the North
Sibling Drama: Laterality in the Heroic Poems of the Edda
July 2011
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Chapter
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Myth, Legends, and Heroes: Studies in Old Norse and Old English Literature in Honour of John McKinnell
Sibling Relations in Malory's Morte Darthur
July 2011
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Journal article
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Arthurian Literature
Melvin Burgess’s Bloodtide and Bloodsong: Sigmundr, Sigurðr and Young Adult Literature
January 2011
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Chapter
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Eddische Götter und Helden – Milieus und Medien ihrer Rezeption
Sibling Relations in Malory's Morte Darthur
January 2011
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Chapter
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Arthurian Literature
Strengleikar, Möttuls saga and Skikkjurimur
January 2011
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Chapter
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The Arthur of the North
Þóra and Áslaug in ‘Ragnars saga loðbrókar: Women, dragons and destiny
January 2011
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Chapter
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Making History: Essays on the Fornaldarsögur
English Chivalry and Sir Gawain and the Green Knight
January 2009
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Chapter
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Blackwell Companion to Arthurian Literature
Queens and bodies: the Norwegian translated Arthurian lais and Hákon IV’s Kinswomen
January 2009
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Journal article
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Journal of English and Germanic Philology
Cakes and Klimt
December 2008
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Journal article
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TLS - The Times Literary Supplement
A Viking in Shining Armour?: Vikings and chivalry in the fornaldarsogur
January 2008
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Journal article
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Viking and Medieval Scandinavia
Awkward Adolescents: male maturation in Norse Literature
January 2008
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Chapter
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Youth and Age in the Medieval North
The Enchantress, the Knight and the Clerick: Authorial Surrogates in Arthurian Romance
January 2008
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Journal article
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Arthurian Literature
Sólarljóð
September 2007
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Scholarly edition
Translating the Poetic Edda into English’
January 2007
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Chapter
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Old Norse Made New
Diet, Defecation and the Devil: Disgust and the Pagan Past
January 2006
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Chapter
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Medieval Obscenities
King Arthur's Enchantresses: Morgan and Her Sisters in Arthurian Tradition
January 2006
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Book
Interest in the Arthurian myths is running at perhaps unprecedented levels, and has become a thoroughly mainstream preoccupation. This is evidenced by the stream of novels, non-fiction works and films - such as Antoine Fuqua's movie King Arthur, released in 2004 - about the perennially powerful legend of the charismatic King who dies and who will one day return again. Carolyne Larrington is an expert on myth and is an authority on all aspects of the Arthurian story. In this fascinating book she offers a novel and thoroughly contemporary take on the myth by focussing on the various powerful, magical women who play a central part in Arthur's life and exploits. These women are mysterious, often sexually alluring figures, capable of harnessing magic for good as well as for subversive ends. The author focuses in turn on Morgan-le-Fay, Arthur's half-sister, a complex enchantress of great cunning and power; the benevolent Lady of the Lake, protector of Lancelot and the polity of Camelot; Viviane, the ambivalent and dangerous nemesis of Merlin; and Morgause, Queen of Orkney and Arthur's other sister, whose lack of magical power renders her vulnerable to honour-driven male violence. She places the medieval tales about these women within their social and political contexts, and goes on to uncover the new roles these women play in both Victorian and modern culture, ranging from Viviane's machinations in poetry to Morgan's powerful presence on the Internet. Encompassing film, art, history, opera and literature, Arthur's Enchantresses shows how important and culturally resonant the enchantresses have been - and continue to be - in the collective European cultural imagination. Whether they be wise healers, beguiling seductresses, tempters of good knights, or enemies of Arthur and all he stands for, the enchantresses continue to speak to us of a dynamic female tradition in Arthurian mythology which is as compelling and provocative as the women themselves. Arthur's Enchantresses will be essential reading for anyone with an interest in cultural history, mythology, religion and medieval literature.
Myth and the Psychology of Memory
January 2006
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Chapter
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Old Norse religion in long-term perspectives
A never-ending quest
December 2004
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Journal article
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TLS - The Times Literary Supplement
A very Icelandic murder
December 2004
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Journal article
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TLS - The Times Literary Supplement
Hold the dragons
December 2004
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Journal article
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TLS - The Times Literary Supplement
In dialogue
December 2004
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Journal article
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TLS - The Times Literary Supplement
The goat's snuffbox
December 2004
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Journal article
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TLS - The Times Literary Supplement
Undruðusk þá, sem fyrir var”: wonder, Vínland and mediaeval travel narratives’
October 2004
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Journal article
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Medieval Scandinavia
An owl in the city
December 2003
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Journal article
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TLS - The Times Literary Supplement
In grandma's clothes
December 2003
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Journal article
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TLS - The Times Literary Supplement
Naked as the day
December 2003
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Journal article
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TLS - The Times Literary Supplement
Freyja and the Organ-Stool: Neo-Paganism in Sólarljóð’
January 2002
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Chapter
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Germanisches Altertum und christliches Mittelalter
The Poetic Edda: Essays on Old Norse Mythology
January 2002
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Book
Vafþrúðnismál and Grímnismál: Cosmic History, Cosmic Geography’
January 2002
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Chapter
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The Poetic Edda: Essays on Old Norse Mythology
The psychology of emotion and study of the medieval period
July 2001
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Journal article
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Early Medieval Europe
4303 Historical Studies, 43 History, Heritage and Archaeology
The Candlemas Vision and Marie d’Oignies’s Role in its Dissemination
January 1999
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Chapter
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New Trends in Feminine Spirituality: The European Impact of the Holy Women of Liège
The Poetic Edda
January 1999
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Book
The Poetic Edda / translated with an introduction and notes by Carolyne
Larrington. (Oxford world's classics) Includes bibliographical references and
index. 1. Mythology; Norse — Poetry —Translations into English. I. Larrington,
Carolyne. II.
Fiction
Leizla Rannveigar: Gender and Politics in the Other World Vision’
September 1995
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Journal article
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Medium Aevum
WOMEN AND WRITING IN MEDIEVAL EUROPE
May 1995
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Book
4705 Literary Studies, 36 Creative Arts and Writing, 43 History, Heritage and Archaeology, 47 Language, Communication and Culture, 4303 Historical Studies, 3602 Creative and Professional Writing
Friendship in Old Norse and Old English Wisdom Poetry
January 1994
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Chapter
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Celtic and Germanic Themes in European Literature
A Store of Common Sense
July 1993
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Book
Hávamál and sources outside Scandinavia’
September 1992
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Journal article
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Saga Book of the Viking Society for Northern Research
What does Woman Want? Mær and munr in Skírnismál’
September 1992
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Journal article
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Alvissmal: Forschungen zur mittelalterlichen Kultur Skandinaviens
Egill's Longer Poems: Sonatorrek and Arinbjarnarkviða
January 1992
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Chapter
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Introductory Essays on Egils saga and Njáls saga
The Feminist Companion to Mythology
January 1992
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Book
Feminism
Arnaldur Indriðason's Konungsbók: Fetishising Literary History
Conference paper
As hit is breued in þe best boke of romance: L’autorité, la verité et la fiction dans les traditions moyen-anglaises de Yvain et du Conte de Graal
Conference paper
Brittany in Middle English: Giants, marvels and magic
Conference paper
Melvin Burgess’s Bloodtide and Bloodsong:Sigmundr, Sigurðr and Young Adult Literature
Conference paper
Mourning Gawein: Performing Grief in Diu Crône
Conference paper
Paper
Conference paper
Paper
Conference paper
Paper
Conference paper
Paper
Conference paper
Paper
Conference paper
Paper
Conference paper
Stjúpmœñrasögur and Sigurñr’s Daughters
Conference paper
Stjúpmœñrasögur and Sigurñr’s Daughters, preprints
Conference paper
Völsunga saga and Ragnars saga: revisiting the relationship