England's Insular Imagining: The Elizabethan Erasure of Scotland
August 2023
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Book
Stephanie Elsky, Custom, Common Law, and the Constitution of English Renaissance Literature, Oxford: Oxford University Press, 2020. Pp. x, 224. $70.00 hardcover (ISBN 9780198861430).
May 2021
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Journal article
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Law and History Review
4803 International and Comparative Law, 4804 Law In Context, 48 Law and Legal Studies
Debt and Doorways in Renaissance Comedy
January 2021
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Chapter
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Early Modern Debts 1550–1700
The collection includes essays by leading international scholars and early career researchers in the fields of economic and social history, legal history, literary criticism, and philosophy on such subjects as trust and belief; risk; ...
Literary Criticism
The Play in the Mind's Eye
January 2021
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Chapter
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The Places of Early Modern Criticism
On the knees of the body politic
October 2020
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Journal article
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Representations
This paper analyzes the fullest theoretical elaboration of the doctrine of the King’s Two Bodies in the Elizabethan period, Edmund Plowden’s Treatise on the Succession (1567). It argues that Plowden here deploys the King’s Two Bodies not, as has been thought, as a legal proof against the foreign birth of Mary Queen of Scots, but as a way of embodying and sacralizing the disputed historical relations of England and Scotland. Plowden’s sacralizing metaphors of embodiment transform the highly contentious English claim of Scotland’s historic vassalage into the indisputable and timeless truth of political theology.
Rachel Eisendrath. Poetry in a World of Things: Aesthetics and Empiricism in Renaissance Ekphrasis
June 2020
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Journal article
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The Review of English Studies
47 Language, Communication and Culture, 4703 Language Studies, 4705 Literary Studies
Circumstantial Shakespeare
February 2018
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Book
Shakespeare's characters are thought to be his greatest achievement―imaginatively autonomous, possessed of depth and individuality, while his plots are said to be second-hand and careless of details of time and place. . This view has survived the assaults of various literary theories and has even, surprisingly, been revitalized by the recent emphasis on the collaborative nature of early modern theatre. But belief in the autonomous imaginative life of Shakespeare's characters depends on another unexamined myth: the myth that Shakespeare rejected neoclassicism, playing freely with theatrical time and place. Circumstantial Shakespeare explodes these venerable critical commonplaces. Drawing on sixteenth-century rhetorical pedagogy, it reveals the importance of topics of circumstance (of Time, Place and Motive, etc.) in the conjuring of compelling narratives and vivid mental images. 'Circumstances'―which we now think of as incalculable contingencies―were originally topics of forensic inquiry into human intention or passion. In drawing on the Roman forensic tradition of circumstantial proof, Shakespeare did not ignore time and place. His brilliant innovation was to use the topics of circumstance to imply offstage actions, times and places in terms of the motives and desires we attribute to the characters. His plays thus create both their own vivid and coherent dramatic worlds and a sense of the unconscious feelings of characters inhabiting them.
Circumstantial Shakespeare offers new readings of Romeo and Juliet, King Lear, Lucrece, Two Gentlemen of Verona and Macbeth, as well as new interpretations of Sackville and Norton's Gorboduc and Beaumont and Fletcher's The Maid's Tragedy. It engages with eighteenth-century Shakespeare criticism, contemporary Shakespeare criticism, semiotics of theatre, Roman forensic rhetoric, humanist pedagogy, the prehistory of modern probability, psychoanalytic criticism and sixteenth-century constitutional thought.
Rhetoric and Law
November 2017
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Chapter
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Oxford Handbook of Rhetorical Studies
Forensic History: Henry V and Scotland
June 2017
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Chapter
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The Oxford Handbook of English Law and Literature, 1500-1700
History
Introduction: Law, Literature and History
June 2017
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Chapter
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The Oxford Handbook of English Law and Literature, 1500-1700
History
Proof and Probability: Law, Imagination and the Form of Things Unknown
June 2017
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Chapter
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New Directions in Law and Literature
This collection of essays by twenty-two prominent scholars from literature departments and law schools showcases the vibrancy of recent work in law and literature and highlights its many new directions since the field's heyday in the 1970s ...
Law, Law and Literature
John Donne and Early Modern Legal Culture: The End of Equity in the “Satyres.” Gregory Kneidel. Pittsburgh: Duquesne University Press, 2015. ix + 246 pp. $59.
January 2017
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Journal article
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Renaissance Quarterly
47 Language, Communication and Culture, 4705 Literary Studies
The Shakespearean unscene: Sexual phantasies in A Midsummer Night's Dream
October 2016
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Journal article
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Journal of the British Academy
Post-Freudian and post-Foucauldian readings of A Midsummer Night’s Dream assume that the play celebrates the freeing-up of female sexual desire from neurotic inhibitions or disciplinary norms. But this is incompatible with what we know historically about 16th-century society’s investment in female chastity. This paper addresses the problem of this incompatibility by turning to Shakespeare’s use of forensic or legal rhetoric. In the Roman forensic rhetoric underlying 16th-century poetics, probable arguments of guilt or innocence are ‘invented’ from topics of circumstance, such as the Time, Place or Manner of the deed. The mysterious Night, Wood and Moonlight of Shakespeare’s play can be seen as making sexual crimes (violence, stealth, infidelity) take on the form of probability and fairy agency. The play thus brilliantly represents the stories of Theseus’s notorious rapes, abandonments and perjuries as fearful ‘phantasies’ or imaginings experienced by Hermia and Helena. This explains how the Victorians could interpret the play as a chaste, childlike ballet, while moderns and postmoderns take it to be a play about psychological repressions working against the free play of sexual desire.
‘ “I will conclude / Out of the circumstances”: Proof and Probability in The Devil is an Ass’
October 2014
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Chapter
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Les Usages de la preuve d'Henri Estienne à Jérémy Bentham
'"Lively Evidence”: Legal inquiry and the Evidentia of Shakespearean Drama’
January 2013
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Chapter
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Shakespeare and the Law: A Conversation Among Disciplines and Professions
‘The Evidential Plot: Shakespeare and Gascoigne at Gray’s Inn’
January 2013
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Chapter
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The Intellectual and Cultural World of the Early Modern Inns of Court
Legalities: Theatre
June 2010
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Chapter
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Cultural Reformations: Medieval and Renaissance in Literary History
In the 1980s, New Historicist critics suggested that Renaissance theater was marked by the Reformation; specifically, that it expressed the vanishing of ritual and sacrament from ordinary people’s lives. More recently, critics like Sarah Beckwith have shown how pre-Reformation theater worked as ritual and sacrament by revealing the extent to which it was implicated in the jurisdiction of confession, penance and absolution for sin. This article revisits the question of how the Reformation abolition of annual mandatory confession affected theater. It qualifies both the New Historicist view of Renaissance theater as evacuated ritual and Beckwith’s view of the Protestant abolition of confession as an exteriorization of penance. Reading the first English Renaissance neoclassical comedy in English, Gammer Gurton’s Needle (c.1553-60), the article shows how profoundly its neoclassical concern with proof and evidence is tied in with a rejection of priestly confession and an invitation to parishioners and neighbors to be more skeptical and less credulous in believing the worst of one another.
Law, Crime and Punishment
June 2010
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Chapter
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Ben Jonson in Context
Literary Collections
"Che indizio, cheprova...?" Ariosto's Legal Conjectures and the English Renaissance Stage
January 2010
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Journal article
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Renaissance Drama
3604 Performing Arts, 36 Creative Arts and Writing
Fictive Acts: Thomas Nashe and the Mid-Tudor Legacy
September 2009
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Chapter
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Oxford Handbook of Tudor Literature 1485-1603
This article examines Thomas Nashe's relationship to the rich legacy of mid-Tudor vernacular literature. It asks: What were his ideas about style and authorship, and how do they relate to his assessments of the mid-Tudors? It presents a reading that illustrates Nashe as politic and pragmatic — whose concern that ‘Arte’ should not be ‘bankeroute of her ornaments’, nor ‘Poetry’ sent ‘a-begging up and down the Country’, is simultaneously a concern with his own authorial ethos and his employability in some service by those close to the Privy Council. It is a reading, however, that is plausible only for the Nashe who wrote The Anatomy of Absurdity, the Preface to Greene's Menaphon, and An Almond for a Parrot. The drying up of ecclesiastical patronage after 1592 encouraged Nashe to become the kind of writer that Philip Schwyzer has characterized as radically and even self-destructively experimental.
Imagining Justice: Kantorowicz and Shakespeare
May 2009
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Journal article
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Representations
47 Language, Communication and Culture, 4705 Literary Studies
Probable Infidelities from Bandello to Massinger
January 2009
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Chapter
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STAGING EARLY MODERN ROMANCE
The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama
December 2007
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Book
This book proposes that certain qualities for which English Renaissance drama is famous, such as what Dryden called its ‘variety and greatness of characters’ and its ‘copiousness and well-knitting of intrigue’, may be in part attributable to the close relationship in this period between developments in English legal culture and those in dramatic writing. The book shows how the English justice system underwent changes in the 16th century that, because of the system's participatory nature, had a widespread effect. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more ‘probable’. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and ‘invent’ arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this ‘evidence’ as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. This book thus provides an account of the transformation from allegorical to mimetic modes of drama that associates the latter with the gradual shift, in the judicial sphere, from penitential to evidential models of justice.
Literary Criticism
The Body of the Friend and the Woman Writer: Katherine Philips's Absence from Alan Bray's The Friend (2003)
August 2007
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Journal article
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Women's Writing
47 Language, Communication and Culture, 4705 Literary Studies
Noises Off: Participatory Justice in 2 Henry VI
December 2006
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Chapter
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The Law in Shakespeare
History
Forensic Aspects of Renaissance Mimesis
May 2006
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Journal article
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Representations
47 Language, Communication and Culture, 3604 Performing Arts, 4705 Literary Studies, 36 Creative Arts and Writing, Biotechnology
Rethinking the ““Spectacle of the Scaffold””: Juridical Epistemologies and English Revenge Tragedy
February 2005
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Journal article
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Representations
47 Language, Communication and Culture, 4705 Literary Studies
Liking Men: Ben Jonson's Closet Opened
December 2004
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Journal article
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ELH
47 Language, Communication and Culture, 4705 Literary Studies
Literature, Politics and Law in Renaissance England
November 2004
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Book
This collection features the work of both established and up-and-coming scholars in the UK and US, with contributors including Peter Goodrich, Lorna Hutson, Erica Sheen and David Colclough studying the period of the English Renaissance from ...
Literary Criticism
Civility and Virility in Ben Jonson
May 2002
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Journal article
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Representations
47 Language, Communication and Culture, 4705 Literary Studies
'The Double Voice of Equity and Literary Voices of Women'
August 2000
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Chapter
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This Double Voice Gendered Writing in Early Modern England
Social Science
Feminism and Renaissance Studies
January 1999
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Book
This text offers 17 essays as an accessible introduction to the ways in which feminism has replaced the universal, abstract Renaissance Man of traditional scholarship with strategies for the analysis of the conceptual work of gender.
History
Les femmes écrivent d'amitié: le Sweet Nosegay d'Isabella Whitney'
January 1998
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Chapter
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Shakespeare, la Renaissance et l'amitié
Chivalry for Merchants, or Knights of Temperance in the Realms of Gold
January 1996
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Journal article
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Journal of medieval and early modern studies
On not being Deceived: Rhetoric and the Body in Twelfth Night
January 1996
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Journal article
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Texas Studies in Literature and Language
The Usurer's Daughter Male Friendship and Fictions of Women in 16th Century England
January 1994
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Book
Literary Criticism
Fortunate Travelers: Reading for the Plot in Sixteenth-Century England
January 1993
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Journal article
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Representations
4702 Cultural Studies, 4705 Literary Studies, 36 Creative Arts and Writing, 47 Language, Communication and Culture, 3605 Screen and Digital Media
Why the Lady's Eyes are Nothing Like the Sun
January 1992
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Chapter
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New Feminist Discourses Essays in Literature, Criticism, and Theory
English literature
Why the Lady's Eyes are Nothing Like the Sun
January 1992
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Chapter
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Women, Texts and Histories
The Displacement of the Market in Jacobean City Comedy