Shakespeare's Blank Verse: An Alternative History is a study both of Shakespeare's versification and of its place in the history of early modern blank verse (unrhymed iambic pentameter).
Blank verse, English
Rhyme's Voices: Hearing Gender in The Taming of the Shrew
February 2022
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Journal article
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Studies in Philology
Shakespeare’s Bombastic Blanks
February 2022
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Journal article
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The Review of English Studies
47 Language, Communication and Culture, 4705 Literary Studies
Versification
January 2021
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Chapter
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The Oxford Handbook of Philip Sidney
'Against 'the music of poetry''
March 2020
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Chapter
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The Edinburgh Companion to Literature and Music
Walking, talking, footing: reading the onstage road
December 2019
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Chapter
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Reading the Road: Shakespeare's Crossways to Bunyan's Highways
Shakespeare's bewitching line
November 2018
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Journal article
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Shakespeare Survey
In the prefatory material to the First Folio (1623), Ben Jonson praised Shakespeare with a phrase too fitting to be fitting. Shakespeare’s lines, he wrote, were ‘richly spun, and woven so fit’ (49). This makes Shakespeare into, or out to be, a labourer warping and wefting in a tapestry workshop – a description perhaps too artisanal and banal for an encomium (of sorts). Jonson moves over his own verse line to arrive at a more evocative criticism: that Shakespeare writes a ‘living line’ (59), transforming ‘spun’ from the tedious routines of a weaver into the alacritous activity of a spider or bug. The textile Shakespeare, weaving ‘so fit’, becomes a textual Shakespeare. Jonson’s line even picks up a thread from Shakespeare’s, since in Henry VIII, or All is True (1613) the Cardinal Wolsey thrives in ‘his self-drawing web’ (1.1.63), forever creating the contours of his own power and abundance, at once an act of imaginative range and limitation.
Screening Shakespeare’s Shoreditch
January 2017
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Journal article
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Literary London Journal
FFR
Wordsworth, Pope, and writing after Bathos
January 2014
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Journal article
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Essays in Criticism
SBTMR
Humoral versification
Chapter
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Humorality in Early Modern Art, Material Culture, and Performance