'Entering the Whirlpool' (on HBO's Succession and T.S. Eliot)
April 2024
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Internet publication
What Hemingway Means in the 21st Century
April 2023
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Other
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Literary Hub
Hemingway's British accents
December 2022
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Journal article
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Symbiosis
Pleasure and Politics: European and American Writers in Nineteenth-Century Venice
February 2022
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Chapter
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Viva Venezia! Die Erfindung Venedigs im 19. Jahrhundert
‘Race against race, immutable’: Pound’s fascist readings of Henry James
July 2020
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Journal article
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Textual Practice
47 Language, Communication and Culture, 4702 Cultural Studies, 4705 Literary Studies
Why British Tourists in Europe have Never Really Changed
February 2020
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Other
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The New European
'Going Back Somewhere: Nostalgia and the Radical Right'
August 2019
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Internet publication
'Canto 26'
April 2018
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Chapter
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Readings in the Cantos
'Beastly Flaneurs: Animal Street Haunting from the Fin-De-Siecle to the Age of Modernism'
April 2018
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Conference paper
Mexico, revolution and indigenous politics in D.H. Lawrence's the Plumed Serpent
December 2017
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Journal article
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MFS: Modern Fiction Studies
Critical opinion is largely united in seeing D. H. Lawrence's novel The Plumed Serpent as a strange and troubling work, offering a puzzling synthesis of primitivism, idealized masculinity, and authoritarian politics. However, there has been little attempt to grapple with the book's Mexican setting beyond its function as site of cultural exoticism. This article argues that the cultural projects of Mexican revolutionary nationalism in the 1920s provided a key impetus for the utopian thought experiments of The Plumed Serpent. Specifically, the article contends that contemporary Mexican debates around indigenousness were absorbed by Lawrence as he prepared the novel.
'Anti-Fascism, Nationalism and Multiculturalism in John Dos Passos'
August 2017
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Conference paper
'Introduction: New Transatlanticisms'
February 2016
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Journal article
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Modernist Cultures
"All the People in the Ring Together": Hemingway, Performance and the Politics of the Corrida de Toros'
February 2016
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Journal article
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Modernist Cultures
'Teaching Hemingway Beyond "The Lost Generation": European Politics and American Modernism'
January 2015
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Chapter
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Teaching Hemingway and Modernism
The Venice Myth
January 2014
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Book
A Tourist in Search of Home (Kazuo Ishiguro)
March 2012
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Journal article
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Slightly Foxed Quarterly
'Geographies of Politics, Geographies of Literature: Ezra Pound and Italian Modernism'
June 2011
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Journal article
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Comparative American Studies
'Ct/Volpe's Neck: Re-approaching Pound's Venice in the Fascist Context'
January 2011
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Chapter
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Ezra Pound, Ends and Beginnings
'Fascist Aesthetics: Ezra Pound's Cultural Negotiations in 1930s Italy'
November 2010
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Journal article
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Journal of Modern Literature
'Historicising the Stones: Ruskin's The Stones of Venice and Italian Nationalism'
June 2010
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Journal article
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Comparative Literature
How T.S. Eliot's Therapeutic Practice Produced The Waste Land
Other
'Julian Huxley at Bird City: Edward McIllhenny, Racism and Biology in Postbellum Louisiana'
Conference paper
Julian Huxley’s experiences of the United States in 1912-16 as a young biological researcher have not been explored in great detail. In particular, his encounter with the postbellum south at Edward McIllhenny’s ‘Bird City’ (an ornithological reserve on McIllhenny’s land at Avery Island in Louisiana) provokes a fascinating discussion around the interlinking of ecology, conservation, biology and racial segregation. In his late memoir Memories (1970), Huxley claimed it as his ‘most exciting (and scientifically profitable) ornithological experience’ to date as he studied the behaviour of the beautiful snowy egrets that McIllhenny encouraged to breed. Yet other elements of McIllhenny’s control over the estate leave an unpleasant taste; Huxley recalls McIllhenny exercising ‘a feudal authority’ over his black workforce, ‘much more arbitrary than anything I had seen in agricultural England’. For Huxley, McIllhenny’s ‘great virtue […] was his love of birds’. Yet McIllhenny’s own writings depict a man whose belief in the order and symmetry of the natural world – the ‘bird city’ that he created mirrored the great human urban conurbations of the United States – was accompanied by a disturbing belief in the natural rightness of white supremacy and the success of southern slavery. ‘Under the slave-system’, McIllhenny writes, ‘the Negro had no care’, and emancipation created 'chaos in the South'. In this paper, I use Huxley’s experiences of ‘Bird City’ and the postbellum south as a way of exploring more troubling and complex interactions between race and racism, conservation, and behavioural biology in the period.